{"id":32694,"date":"2019-10-15T10:58:00","date_gmt":"2019-10-15T08:58:00","guid":{"rendered":"https:\/\/giff.daisybell.ch\/giff_unlimited\/vr-b3-frankfurt-2019\/"},"modified":"2021-10-10T14:07:32","modified_gmt":"2021-10-10T12:07:32","slug":"vr-b3-frankfurt-2019","status":"publish","type":"giff_unlimited","link":"https:\/\/2021.giff.ch\/en\/giff_unlimited\/vr-b3-frankfurt-2019\/","title":{"rendered":"VR @B3 FRANKFURT 2019"},"content":{"rendered":"\n

Du 15 au 20 octobre, le GIFF se connecte \u00e0 la B3 Biennial of the Moving Image<\/a> \u00e0 Francfort afin de pr\u00e9senter une s\u00e9lection d\u2019\u0153uvres en r\u00e9alit\u00e9 virtuelle issues de sa 24e<\/sup> \u00e9dition.<\/p>\n\n\n

\"GIFF<\/div>
\n

HORS-CADRE : INTIMIT\u00c9S DE F\u00c9LIX VALLOTTON<\/h3>\n\n

Martin Charri\u00e8re, 7 min, 2018, Switzerland<\/p>\n\n

In 1898, Swiss artist F\u00e9lix Vallotton produced a series of woodcuts entitled Intimit\u00e9s <\/em>which represent ten moments in the love life of famous Parisian pianist Misia Sert. To revisit this work, this VR project in the Unframed <\/em>series imagines what the musician replies to the artist. Fascinating.<\/p>\n<\/div><\/div>\n\n

\"GIFF<\/div>
\n

HORS-CADRE : ISLE OF THE DEAD<\/h3>\n\n

Martin Charri\u00e8re, 6 min, 2017, Switzerland<\/p>\n\n

The Isle of the Dead<\/em>, by Arnold B\u00f6cklin is probably one of most internationally-renowned Swiss paintings. Led by the irreverent Yann Marguet, this VR immersion in an artwork looks more like an acid trip than a museum tour.<\/p>\n<\/div><\/div>\n\n

\"GIFF<\/div>
\n

LA APPARIZIONE<\/h3>\n\n

Christian Lemmerz, 3 min, 2017, Denmark<\/p>\n\n

Here you are underneath Christ. Crucified in the sky, he towers over you. From the darkness around him groans can be heard. And everywhere, golden blood pours from the divine figure. A virtual work by contemporary artist Christian Lemmerz, one of the most extreme experiences in VR art.<\/p>\n<\/div><\/div>\n\n

\"GIFF<\/div>
\n

SHE\u2019S ALREADY GONE<\/h3>\n\n

Yu Hong, 8 min, 2017, China, Denmark<\/p>\n\n

Directed by Chinese artist Yu Hong, this VR experience places the viewer in the middle of four scenes, that travel through the life of a female character from her birth to her old age. The narrative follows differing timelines as the life and aging of the protagonist moves forward while history goes backwards.<\/p>\n<\/div><\/div>\n\n

\"GIFF<\/div>
\n

THE BRIDGE<\/h3>\n\n

Nikita Shalenny, 10 min, 2017, Ukraine, Denmark<\/p>\n\n

A bridge in the fog. Silhouettes running at our side. Are we fleeing? Are we heading towards history? The personal answer takes us 40,000 kilometers in a few minutes. Enhanced by Shalenny\u2019s animation, a race against time, against mankind and against oneself.<\/p>\n<\/div><\/div>\n\n\n

B3 BIENNIAL OF THE MOVING IMAGE | FRANKFURT | 15 \u2013 20 OCTOBRE 2019<\/a><\/h3>\n","protected":false},"featured_media":32550,"template":"","_links":{"self":[{"href":"https:\/\/2021.giff.ch\/en\/wp-json\/wp\/v2\/giff_unlimited\/32694"}],"collection":[{"href":"https:\/\/2021.giff.ch\/en\/wp-json\/wp\/v2\/giff_unlimited"}],"about":[{"href":"https:\/\/2021.giff.ch\/en\/wp-json\/wp\/v2\/types\/giff_unlimited"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/2021.giff.ch\/en\/wp-json\/wp\/v2\/media\/32550"}],"wp:attachment":[{"href":"https:\/\/2021.giff.ch\/en\/wp-json\/wp\/v2\/media?parent=32694"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}