giff.ch https://giff.ch/2018/en/ Mon, 26 Nov 2018 11:30:25 +0100 en-US hourly 1 https://wordpress.org/?v=4.9.8 https://giff.ch/2018/wp-content/uploads/cropped-favicon-2.png giff.ch https://giff.ch/2018/en/ 32 32 Beautiful like a burning TV https://giff.ch/2018/en/retro/ Wed, 05 Sep 2018 08:00:04 +0000 https://giff.ch/2018/retro/ When Fassbinder, Wajda, Miéville & Godard used to make TV series

In the decade following the events of May 68, European television underwent a transformation. In France, Germany and Poland, TV turned to the tearaways of cinema and enabled them to pursue their research. Television soared and imagination took power.

To celebrate the 50th anniversary of the death of old-fashioned television, the 24th GIFF will present three rare TV series in their entirety, produced by major filmmakers of the 70s:

EIGHT HOURS DON’T MAKE A DAY
(ACHT STUNDEN SIND KEIN TAG – EINE FAMILIENSERIE)

by Rainer Werner Fassbinder

FRANCE/TOUR/DÉTOUR/DEUX/ENFANTS

by Anne-Marie Miéville et Jean-Luc Godard

AS YEARS GO BY, AS DAYS GO BY

(Z BIEGIEM LAT, Z BIEGIEM DNI)

by Andrzej Wajda

 

In association with cinema Spoutnik, TVP and INA.

 

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GIFF @KURZFILMTAGE WINTERTHUR https://www.kurzfilmtage.ch/EN#new_tab Thu, 30 Aug 2018 08:55:14 +0000 https://giff.ch/2018/giff-kurzfilmtage-winterthur/ GIFF @FNC MONTREAL http://www.nouveaucinema.ca/fr/#new_tab Thu, 23 Aug 2018 14:59:01 +0000 https://giff.ch/2018/?p=1040 THE 23RD GIFF ENDS ONCE AGAIN WITH A RECORD NUMBER OF VISITORS https://giff.ch/2018/en/giff17aft/ Tue, 07 Aug 2018 14:52:59 +0000 https://giff.ch/2018/giff17bilan/
This year, the Festival attracted some 32,000 festivalgoers within its central hub (Pitoëff) as well as in the Cinerama Empire, the Arditi room, the Kramer room at HEAD – Genève and the Spoutnik cinema, i.e. a 6% increase in comparison to last year. Ticket sales also increased by 25%. Moreover, throughout 2017, some 4,500 people took part in the various initiatives of the Festival’s PLUGS program.
With regards to the prize list, the Reflet d’Or for Best Feature Film was awarded to Indian filmmaker Sanal Sasidharan for Sexy Durga, while Kantemir Balagov received a special mention for Tesnota by the Feature Film International Jury, headed this year by German director Edgar Reitz. The short movie Martin pleure by young French director Jonathan Vinel was also selected as best movie in its category.
Derek Simonds’ The Sinner received the Reflet d’Or for Best TV Series and a special mention was awarded to Belgians Annie Carels, Julie Bertrand and Charlotte Joulia for Unité 42. The Reflet d’Or for Best VR Work was awarded to Jérôme Blanquet for Alteration, and Mathias Chelebourg and Marie Jourdren received a special mention for Alice, The Virtual Reality Play. Finally, the Reflet d’Or for Best Music Video was given to French director Hîm TiVi for Pluie Fine (Corine – Polo & Pan Remix), while Nicolas Athané and Brice Chevillard received the Reflet d’Or for Best Web Series for Monsieur Flap, with a special mention for Valérie Urréa and Nathalie Masduraud for Iran #NoFilter.
The closing ceremony of the 23rd GIFF was also an opportunity for the Festival’s General and Artistic Director Emmanuel Cuénod to hand the Film & Beyond Award – the GIFF’s honorary prize – to director and musician Abel Ferrara, in association with Hamilton Watches and Maison Olivier Zbinden. “This award distinguishes not only the career of one of the most fascinating filmmakers of our times,” the GIFF Director stated, “but also an outstanding personality who has always maintained his artistic freedom through hell and high water and left a unique mark in the history of cinema. He is also, as we have seen in the last few days, an extraordinarily kind-hearted and considerate human being. The GIFF is honored to give him this award.”
Moreover, Abel Ferrara gave a live concert at the end of the GIFF. This performance brought an end to a festival steeped in music, with live performances by Asia Argento and the Shadow team, electronic musician Chloé and French rap band La Rumeur. DJs also took turns during the Nuits Blanches events to shake the dancefloor until dawn, while over nine days, the GIFF’s 32’000 festivalgoers attended some 180 screenings, ambled through the Virtual Territories to discover 55 digital works hailing from all over the world, enjoyed 360-degree screenings in a geodesic dome created by Geneva artist François Moncarey, and met authors and directors and attended talks and presentations at the 5th Geneva Digital Market.
The events’ 300+ guests featured Nathalie BayeTony Gatlif, Asia ArgentoDavid and Stéphane FoenkinosBrigitte FosseyBruno TodeschiniFéodor AtkineChloéVincent KuchollLaurianne GilliéronSlimane Dazi, members of the cult French rap band La RumeurDamien BonnardStefano SardoJulia Jentsch,Thomas Bo LarsenGideon Raff and Derek Simonds. Moviemakers such as Xavier BeauvoisJean-Pierre MockyJean-Luc BideauEdgar ReitzShady SrourAli SoozandehHansChristian Schmid and Francis Lee also honored the GIFF with their presence. Representatives of companies such as FacebookDisneySpotifyMicrosoft, the EPFL’s ARTLAB, and SAT (Montreal’s Society for Arts and Technology) were also invited. The public also had the opportunity to (re)discover works by Takeshi KitanoJohn Cameron MitchellHong Sang-sooGeorge ClooneyJoachim TrierMahamat-Saleh Haroun, David SimonGeorge PelecanosMichael AmoBill GallagherJean-François AsselinAlison NewmanMoira BuffiniAndré S. Labarthe as well as Katarzyna Roslaniec.
We look forward to seeing you at the 24th GIFF which will take place from 2 to 10 November 2018.
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VIRTUAL REALITY @ LAROTONDA 2018 https://giff.ch/2018/en/locarno2018/ Wed, 18 Jul 2018 13:04:39 +0000 https://giff.ch/2018/locarno2018/ For the third year, the GIFF presents, as part of its PLUGS program, a Virtual Reality space inside laRotonda, the Village of the Locarno Festival. Every evening between July 27th and August 12th from 6 to 10 PM, a selection of virtual reality films from all over the world will be presented.  The public will be able to experiment being a guinea pig for a clinical trial led by an artificial intelligence, dive into a wacky 360° music video or get immersed into Gomorrah, the hit TV series, and literally follow the protagonists as they wander through the streets of Naples.

 

ALTERATION

Jérôme Blanquet / 2017 / France

Alexandro is the guinea pig for an experiment led by artificial intelligence which insinuates itself even deeper into his subconscious. Inspired by Philip K. Dick, Alteration is one of the most well-crafted VR narratives of the moment won the Reflet d’Or for the Best VR Film at the 2017 GIFF.

 

 

BLOODLESS

Gina Kim / 2017 / Republic of Korea, USA
Since the 1950s, American soldiers have been stationed in South Korea. This powerfully realistic and raw VR experience looks back at the violence towards sex workers living near their camps, perpetrated with impunity by those soldiers. Immersion into the banality of evil.

 
 

CHAPITA

Eran Amir / 2016 / United Kingdom
Take a dancer. Give her a warehouse for a playfield and a few weird tools to play with. Then virtually multiply that person to the point of saturating the viewer’s field of vision. What do you get? Chapita, a technically perfect, poetic VR video clip.

 
 

DREAMS OF ’O’

Félix Lajeunesse, Paul Raphaël / 2016 / Canada

Mermaids, a water ballet, a free dive into a marine world worthy of Jules Verne’s fairyland: when the Cirque du Soleil crosses paths with Félix & Paul, the result can only be sublime.

 

 

GOMORRAH VR – 
We own the streets

Enrico Rosati / 2017 / Italy

Gomorrah VR – We own the streets acts as a bridge between seasons 2 and 3 of the TV show of the same name. Enrico Rosati immerse the spectator together with the main protagonists into the heart of the Scampia, a popular neighborhood of Naples which has become the nerve center of the camorra.

 

 

HEAL TOMORROW

Romain Chassaing / 2016 / France

Romain Chassaing and the Naive New Beaters – with the complicity of Izia – once again push the limits of music videos with this deliciously irreverent 360-degree clip. Be prepared to experience the splendor and disintegration of a rock band in less than five minutes.

 

 

NOTES TO MY FATHER

Jayisha Patel / 2017 / India, USA, UK

Set in the lush rural landscapes of Southern India, Notes To My Father is a story of love, grief and reconciliation, between father and daughter. Flooded by past memories of an adolescence spent in an Indian brothel, Ramadevi pens a letter to her father, who unintentionally played a role in his daughter’s trauma.

 

 

PROXIMA

Mathieu Pradat / 2017 / France

A man whose soul would leave his body and disappear into the darkness; a terrible threat lurking; a sole beacon of light in the dark night that now surrounds us; we must follow it. A Baudelaire-like VR work, in the form of a space-time loop.

 

 

THE PROTECTORS – 
Walk in the ranger’s shoes

Imraan Ismail, Kathryn Bigelow / USA / 2017

For National Geographic, moviemaker Kathryn Bigelow (Strange Days, The Hurt Locker, Detroit) takes us alongside rangers in the Garamba Park in the DRC who protect elephants against heavily-armed poachers. A quintessential VR documentary.

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INTERNATIONALE KURZFILMTAGE WINTERTHUR x GIFF https://giff.ch/2018/en/ikwxgiff/ Tue, 17 Jul 2018 10:27:08 +0000 https://giff.ch/2018/les-internationale-kurzfilmtage-winterthur-et-le-giff-sassocient/ Over 21 years of existence, Internationale Kurzfilmtage Winterthur has undoubtedly become the largest short film festival in Switzerland, while the 24-year-old GIFF has established itself as the most innovative audiovisual event in the country. Every year, the two festivals take place in early November.

By opening the curation of its program to Kurzfilmtage, GIFF aims to provide festivalgoers with the opportunity to benefit from the expertise of the best short film curators in Switzerland. Hence, it will be possible to discover a handpicked selection of short films from the Kurzfilmtage’s program at GIFF, between 2 and 10 November.

In parallel, Kurzfilmtage will once again call upon GIFF’s digital curators to prepare a selection of virtual reality works that will be unveiled at Winterthur’s Virtual Reality Cinema from 6 to 11 November.

“We are delighted with this national-scale partnership,” Kurzfilmtage Artistic Director John Canciani and GIFF General and Artistic Director Emmanuel Cuénod jointly declared. “This collaboration between two festivals in Switzerland who have managed to pool their programs and work closely together delights us in so much as it increases exposure for them both, while also providing an opportunity for audiences in Eastern and Western Switzerland to discover the selection of a festival that has aroused their curiosity and which they may not always be able to attend. This coming together of two festivals which both showcase innovation and unique perspectives seems like a positive sign for authors in Switzerland and beyond.”

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KNIFE + HEART TO OPEN THE 24TH GIFF https://giff.ch/2018/en/opening2018/ Mon, 09 Jul 2018 13:04:24 +0000 https://giff.ch/2018/titre-de-la-news-5/ After You and the Night (presented at the Festival in 2013), Yann Gonzalez returns to GIFF to present his second feature film, Knife + Heart, starring Vanessa Paradis, Nicolas Maury and Kate Moran, herself a member of the Festival’s jury in 2015.

“To open this unique festival that is at the crossroads of reality and unreality, we wanted a powerful, transgressive and beautiful movie, said GIFF Artistic and General Director Emmanuel Cuénod. As soon as we discovered it at the Cannes Film Festival, it was obvious Knife + Heart was this film. A crazy and free-spirited work that plays on genres and can be understood both as a bloody romance between two women and a declaration of love to Brian de Palma and Dario Argento’s hyper-sensual and phantasmagoric cinema.”
Coproduced by RTS, the Geneva company Garidi Films and Swiss independent producer Jamal Zeinal-Zade, Knife + Heart is a dizzying plunge into the debauched world of 1970s Parisian gay porn.
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THE VIRTUAL PSYCHO PAGODA @NIFFF 2018 https://giff.ch/2018/en/nifff2018/ Wed, 13 Jun 2018 13:03:45 +0000 https://giff.ch/2018/nifff2018/  

AN OBITUARY

Jean Yoon, Republic of Korea, 2017

SWISS PREMIERE

A young man travels alone deep into the countryside to pay his respects after hearing of a friend’s untimely death. Upon his arrival, he finds himself to be the sole mourner at the funeral. Alone in the countryside, save for the elderly mother of his deceased friend, he begins to wonder why they seem to be the only two people left in the village.

 

 

BLOODLESS

Gina Kim, Republic of Korea, USA, 2017

Since the 1950s, American soldiers have stationed at Dongducheon Camptown in South Korea. A powerfully realistic and raw VR experience that retraces the last living moments of a brutally murdered sex worker, and looks back at the violence perpetrated with impunity by these soldiers.

 

 

HELP ME

You Tae-Kyung, Republic of Korea, 2018

WORLD PREMIERE

On rainy nights, a woman living alone hears the noises of someone knocking at her door, asking for help. Her neighbors tell her about the woman who used to live in her apartment. One night, she finally decides to open the door…

 

 

HYPER-REALITY

Keiichi Matsuda, Colombia, 2016

SWISS PREMIERE

In a city saturated with immersive media that has become an integral part of our lives, just like the public spaces and buildings that surround us, physical and virtual realities have merged. A provocative and kaleidoscopic vision of the future, where play merges with life, and technologies define our relationship to the world.

 

 


Yu Hong, ’She’s Already Gone’, Virtual Reality artwork, 2017. Courtesy of Yu Hong and Khora Contemporary.

SHE’S ALREADY GONE

Yu Hong, China, Denmark, 2017

SWISS PREMIERE

Directed by Chinese artist Yu Hong, this VR experience places the viewer in the middle of four scenes, that travel through the life of a female character from her birth to her old age. The narrative follows differing timelines: as the life and aging of the protagonist moves forward, History goes backwards.

 

 

YOUR SPIRITUAL TEMPLE SUCKS

John Hsu, Taïwan, 2018

Mr. Chang arrives to his “Spiritual Temple”, a place symbolic of one’s destiny in the afterworld. To solve his marital crisis and financial problems, he summons his guardian – The Thunder God. They both attempt to tidy his life, which turns out to be a big mistake… with hilarious consequences.

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GIFF 2018 DEDICATED TO TRANSREALITY https://giff.ch/2018/en/giff18/ Mon, 11 Jun 2018 13:03:54 +0000 https://giff.ch/2018/giff18/

“Transreality is the world we live in today, says GIFF Artistic and General Director Emmanuel Cuénod. That is to say a strange, disconcerting place where physical and virtual reality coexist, a world where apps influence our sexual and social behavior, guide our choices, and steer us through a transport network. In return, we modify the machine, saturating it with distorted, prismatic views of our own existence and needs. It is a new age of baroque that is unfolding in a digital version.”
To symbolize transreality, Laura Cocchi took her inspiration from Asia’s megacities with their marked color contrasts, where nature and concrete coexist at the same level. “With the powerful presence of the name of the Festival, I also wanted to pay tribute to the verticality and flashy luminosity of Hong Kong’s neon signs, which enliven abstract tranquility, like paintings visible in the background.”

 

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The President at the GIFF booth « Beyond Cinema » https://giff.ch/2018/en/cannes2018pr/ Sun, 13 May 2018 08:00:15 +0000 https://giff.ch/2018/cannes2018pr/ The President of the Confederation experienced Elastic Time, developed by the Geneva-based Company Imverse, and had a chance to explore a virtual world using the revolutionary Limbic Chair VR created by Limbic Life.
Later in the afternoon, the annual showcase of the Beyond Cinema programme was a great success. The presentation of the projects by their respective producers thrilled the attendees.
Finally, the Match-Making module, which enables investors to meet with Swiss digital creators, will continue in the next few days. It has already led to many prolific meetings and connections, including with prestigious companies such as ARTE, mk2, the TriBeCa Film Festival, the Phi Centre and Penrose studios.
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BEYOND CINEMA @ Cannes 2018 https://giff.ch/2018/en/cannes2018/ Wed, 25 Apr 2018 13:04:56 +0000 https://giff.ch/2018/cannes2018/ Thanks to the support of Pro Helvetia – Swiss Arts Council, the 4th Beyond Cinema : The Swiss Digital Showcase will enable professionals in Cannes to bend space and time with the exciting project Elastic Time by Studio Imverse and to discover the Limbic Chair VR, a new way of interacting with the virtual world developed by Limbic Life.
Once again, for the third consecutive year and thanks to the support of Engagement Migros, a match-making module will be organized in parallel to the Beyond Cinema program that will provide Swiss digital creators in Cannes with the opportunity to meet potential investors for their projects.


ELASTIC TIME


Elastic Time is a mixed reality interactive documentary about space-time narrated by astronomer Tony Stark. A real-time hologram of your body is integrated into the observatory room and using the controllers, you bend space and time to your will, creating black-holes, worm-holes and time portals. Written and directed by artist Mark Boulos, Elastic Time has been created using state-of-the-art technology developed at Imverse. The volumetric 3D environment has been reconstructed from a single 2D 360° picture usingImverse LiveMaker and the real-time volumetric 3D capture of the user’s body and the volumetric recording of the actor is powered by Imverse proprietary voxel-based graphics engine.
Written & directed by Mark Boulos
Created & produced by Imverse: Robin Mange and Javier Bello Ruiz


LIMBIC CHAIR VR


The Limbic Chair VR is a safe and compact, hands-free navigation device for VR. The first of its kind to combine neuroscience-based research and ergonomic design, it connects behaviours, thoughts and emotions through touch and movement. Because moving your legs and moving your hands rely on two separate neurological systems, users are able to navigate intuitively with their legs, freeing their hands and head to view or play as usual. The Limbic Chair VR is designed to entice you to move, while sensors on the chair then transmit these movements to electronic devices to navigate through VR.
By Limbic Life : Patrik Künzler and Mark van Raai


PROGRAM HIGHLIGHTS

Beyond Cinema: Swiss Digital Showcase / NEXT Pavilion
Exhibition : from 8 to 13 May 2018 / from 9:00 to 18:00
Showcase : Friday, 11 May 2018 / from 14:00 to 15:00
Match-making : from 8 to 12 May 2018 / by appointment (contact: mm@giff.ch)
Contact:
Camille Kaiser, Digital and Professional Programs Coordinator
Marie Mayoly, Professional Match-making Module Coordinator
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VIRTUAL REALITY @ SXSW / Boston https://www.swissnexboston.org/services/art-science-activities-programming/sxsw-the-swiss-presence-in-austin/#new_tab Fri, 09 Mar 2018 15:25:41 +0000 https://giff.ch/2018/virtual-reality-sxsw-boston/

SXSW: The Swiss Presence in Austin

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PROGRAMME PLUGS @LUDICIOUS https://giff.ch/2018/en/ludicious2018/ Sun, 14 Jan 2018 14:05:49 +0000 https://giff.ch/2018/ludicious2018/ First stop this week at the Ludicious Zurich Game Festival where the GIFF will present four VR works from January 18th to 21st. Festival-goers will be able to (re)discover VR works presented in Geneva last November during the GIFF’s 23rd edition:

 

Dear Angelica, Saschka Unseld, USA, 2017

An young woman writes to her mother, a deceased actress. The letter comes to life around her. Unveiled at Sundance 2017,A young woman writes to her mother, a deceased actress. The letter comes to life around her. Unveiled at Sundance 2017, Dear Angelica remains VR’s greatest esthetic contribution to this day and truly marks a ‘crucial step’, as The Verge put it, in immersive art.

 

Alteration, Jérôme Blanquet, FR, 2017

Alexandro is the guinea pig for an experiment led by artificial intelligence which insinuates itself deeper and deeper into his subconscious. Inspired by Philip K. Dick, the producers of Okio-Studio return with one of the most well-crafted VR narratives of the moment.


Hors-cadre, l’Île des Morts, Martin Charrière, CH, 2017

Painted between 1880 and 1886 by Arnold Böcklin, The Isle of the Dead is nprobably one of most internationally renowned Swiss paintings. Led by the irreverent Yann Marguet, this VR immersion in an artwork looks more like an acid trip than a museum tour.


Night Night, G. Shelmerdine, T. Greyhavens, USA, 2017

An old cliché of horror movies, the evil clown has returned with the adaptation of Stephen King’s It, but not only: With Night Night, it also comes to life in a virtual reality nightmare. Who will dare be stuck with him for a few minutes?



Ludicious Zurich Game Festival
Zeughausstrasse 60
8004 Zurich
www.ludicious.chThursday 18th January 12:00 – 19:00
Friday 19th January 10:00 – 19:00
Saturday 20th January 10:00 – 19:00
Sunday 21st January 10:00 – 17:00

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THE GIFF AT THE BOSTON HUBWEEK* https://giff.ch/2018/en/hubweek2017/ Tue, 10 Oct 2017 14:31:28 +0000 https://giff.ch/2018/le-giff-a-la-hubweek-de-boston/ Born from a collaboration between the Geneva International Film Festival // GIFF, swissnex Boston, D.I.X. – creative space and the MySquare studio, with the support of the city of Geneva, a call for Swiss Fulldome films nwas launched early 2017. In October, the ten films selected were presented at the Boston HUBweek, under the swissnex Dome.


An dozen of Swiss films selected through the Call for Swiss Fulldome Films were screened at the Boston HUBweek under the swissnex Dome (a geodesic dome for viewing immersive 360 ° films). The winner was Apoptose by Sophie Le Meillour and Fabrice Starzinskas, with sound design by Juan Pablo Espinoza and Hervé Moire. From October 12th to 15th, the dome welcomed more than 3,400 visitors who were immersed in the world of Fulldome films by Swiss, American and Canadian artists

 

Apoptose, Sophie Le Meillour, Fabrice Starzinskas, Switzerland, France, 2017

Moreover, the swissnex Dome hosted digital performances, cosmic yoga sessions, panel discussions, and workshops. Among them was “Exploring Digital Utopia,” an event which gathered together artists, technicians, and industry experts around the Swiss Touch table to discuss some of the cutting-edge uses of the Dome-as-viewing platform, immersive realities, nand the exploration of the notion of digital utopia. The panelists included: Paola Gazzani Marinelli, head of Digital and Professional Programs at the Geneva International Film Festival and board member of Le D.I.X, a new exhibition space dedicated to digital art in Geneva. As well as François Moncarey, multidisciplinary artist and cofounder of MySquare, artists Sophie Le Meillour, and Fabrice Starzinskas, and Patrick Pomerleau, co-owner and project manager at NEST Immersion.

*HUBweek is the “festival for the future,” bringing together tens of thousands of people for discussions, presentations, workshops, and entertainment. It was founded in 2014 by The Boston Globe, Harvard University, MIT, and Massachusetts General Hospital.


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GIFF @FNC MONTREAL http://www.nouveaucinema.ca/en/news/news/prizes-and-awards-46th-edition Wed, 04 Oct 2017 15:38:04 +0000 https://giff.ch/2018/giff-fnc-montreal-4-15-10-2017/ GIFF @ZIFF ZURICH https://zff.com/fr/archives/?page=1&language=fr&festival_year=2017 Mon, 02 Oct 2017 15:41:40 +0000 https://giff.ch/2018/giff-ziff-zurich/ GIFF @INTERNATIONALE KURZFILMTAGE WINTERTHUR https://giff.ch/2018/en/giff-internationale-kurzfilmtage-winterthur/ Tue, 08 Aug 2017 14:24:48 +0000 https://giff.ch/2018/giff-internationale-kurzfilmtage-winterthur/ Virtual Reality Cinema
Pour la première fois, les Kurzfilmtage présentent avec le Geneva International Film Festival (GIFF) en tant que partenaire de la programmation, trois programmes d’oeuvres de réalité virtuelle.
WeAreCinema, La brasserie Les Coulisses du théâtre aménagé en cinéma VR, accueillera une trentaine de spectateurs pour  une expérience collective synchronisée. Au cours de trois programmes variés, des films VR helvétiques et internationaux seront présentés, parmi les plus innovants et fascinants du présent.
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GIFF @LOCARNO FESTIVAL https://giff.ch/2018/en/giff-locarno-festival/ Wed, 02 Aug 2017 15:46:37 +0000 https://giff.ch/2018/giff-locarno-festival/ Dans le cadre de son programme PLUGS, le Geneva International Film Festival (GIFF) se branche ce mois-ci au Locarno Festival pour présenter un programme exclusif de dix œuvres en réalité virtuelle.

Du 2 au 12 août, de 18h à 22h @LaRotonda 2017 – Le Village du Locarno Festival.

 

Ashes to Ashes

Ingejan Ligthart Schenk, Jamille van Wijngaarden, Steye Hallema, Submarine Channel, Pays-Bas, 2017, 11 min, v.o en

Ashes to Ashes est une tragicomédie surréaliste en réalité virtuelle portant sur la façon dont une famille dysfonctionnelle réagit face au souhait de leur grand-père moribond. Vu à travers les « yeux » du défunt, ce court film en réalité virtuelle offre un point de vue unique dans ce contexte étrange que sont ces relations familiales sur le point d’imploser. Abandonnant tous faux-semblants, les membres de la famille révèleront au spectateur l’ampleur de leur malhonnêteté.

Iceman VR

Jan Krüger & Eric Benz, Headtrip & Port au Prince, Arte, Allemagne, 2017, 6 min, v.o en

Contre-champs du long métrage homonyme présenté sur la Piazza Grande, Iceman VR est une expérience en réalité virtuelle qui nous conduit dans la maison de l’Homme de glace, alias Ötzi la momie, en partant du Musée d’Archéologie de Bolzano, jusqu’à son village il y a 5300 ans, jusqu’au glacier du Similau, et retour…

Jours de tournage

Isabelle Huppert, Fouzi Louahem, Arte Geie, Les éditions du bout des doigts, France, 2017, 13 min. v.o fr

Jours de tournage est une collection documentaire en réalité virtuelle, qui explore l’univers des plateaux de tournage de certaines coproductions d’ARTE Cinéma. Son deuxième épisode est consacré à Isabelle Huppert sur le tournage du film Madame Hyde de Serge Bozon.

Kinoscope

Philippe A. Collin & Clément Léotard, EX Nihilo/Novelab, France, 2016, 10 min, v.o en

Kinoscope est une expérience en réalité virtuelle invitant le spectateur à s’immerger dans un univers vivant et coloré à la découverte de l’histoire du cinéma. Le spectateur est mené par la voix du légendaire chef-opérateur hollywoodien Dean Tavoularis, qui a notamment travailler sur des films comme Le Parrain, Apocalypse Now, Coup de coeur ou encore Bonnie & Clyde.

Hors-cadre, L’Île des Morts

Martin Charrière, RTS, Suisse, 2017, 6 min, v.o fr

Ce court métrage emmène le spectateur au cœur du mythique tableau du peintre bâlois Arnold Böcklin. Mettez vos lunettes et embarquez! Votre passeur vous guide pour un aller simple vers l’Île des Morts. Une nouvelle manière de découvrir cette œuvre qui a inspiré cinéastes, artistes et auteurs de bande dessinée à travers les années.

No Borders

Haider Rashid, Omar Rashid, Elio Germano, Italie, 2016, 15 min, v.o ita

No Borders explore la crise des migrants en Italie, en documentant l’expérience des bénévoles qui travaillent dans les centres d’accueil auto-gérés. Un regard cru sur le contraste entre la façon dont les institutions gèrent le flux de migrants et celle dont les militants les soutiennent.

Planete ∞

Momoko Seto, Barberousse Films, Arte France, Awkeye, France, 2017, 7 min, sans dialogue

Dans un temps peut-être pas si lointain, la Terre est le champ de bataille d’une nature devenue folle: les hommes ont disparu, mais les insectes, les champignons et de curieuses créatures marines se livrent à des ballets étranges et menaçants. Univers de science-fiction ou une vision prophétique ? Vous ne regarderez plus jamais les animaux et les plantes de la même façon.

Sergent James

Alexandre Perez, Floréal Films, France, 2017, 7 min, v.o fr

©Artfact fotolabz

Il est l’heure de se coucher pour Léo. Alors que sa maman éteint la lumière, le petit garçon pense qu’il y a quelque chose sous son lit. Ce court métrage de fiction, pouvant être adapté pour les (grands) enfants,n joue avec l’angoisse que nous avons tous connu un jour: découvrir un monstre caché dans notre chambre.

The Future of Music

Greg Barth, Blink Ink, Royaume-Uni, 2016, 3 min, v.o en

Entrez dans l’univers de Carré Bleu, artiste et compositeur qui parvient à créer la musique de demain en voyageant à travers l’espace et le temps. Un mockumentaire VR pop, surréaliste et frénétique, fruit de la collaboration délirante entre Greg Barth et Polar Youth.

What do we care 4

Steye Hallema, WildVreemd, Steye and The Bizonkid (musique), Pays-Bas, 2014, 5 min sans dialogue

Dans ce vidéoclip en réalité virtuelle, vous allez rencontrer des astronautes qui vont bouleverser votre monde à coups de hula-hoops magiques, vous encerclant de miroirs introspectifs jusqu’à ce que vous vous mettiez à danser avec une tribu amérindienne. Pendant ce temps, le groupe jouera des mix énergiques de funk, rock et musique pop sur des instruments en carton.

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GHOST HOUSE VR @NIFFF17 https://giff.ch/2018/en/une-ghost-house-vr-au-coeur-du-nifff/ Sun, 30 Jul 2017 15:50:15 +0000 https://giff.ch/2018/une-ghost-house-vr-au-coeur-du-nifff/
This month, in the context of its PLUGS programme, Geneva International Film Festival Tous Ecrans connects with the Neuchâtel International Fantastic Film Festival (30 June – 8 July 2017) to present, in association with NIFFF, Ghost House VR, an original installation featuring four virtual reality works produced by Swiss and French artists. The installation will complement the NIFFF INVASION programme, which invites the general public to explore ‘fantastic’ culture in a fun, summery atmosphere.

Festival Tous Ecrans will also partner up with the NIFFF EXTENDED programme, a series of conferences and debates bringing together some one hundred Swiss and international experts, by participating in the conference ‘Effects of immersive media on the narrative’, on Wednesday 5 July, from 15:15 to 16:15. Click here for more details.

GHOST HOUSE VR – PROGRAMME
From 30 June to 8 July, Collège de la Promenade, 17:00 – 21:30, free entrance

Ghost House – HEAD – Genève

Inspired by ghost trains, this installation seeks to put your senses to the test. Experience the sensations of a ghost, what it feels when it flies around, passes through walls, hears and sees the living… Ghost House is both a virtual reality experience for the spectator wearing the headset and a performance for the public witnessing the adventure from the outside.

Ximoan – HEAD – Genève

©HEAD_MichelGiesbrecht
Ximoan is a collaborative experience based on Aztec mythology. It invites a player to lie down and go on a journey through the afterlife, while another player embodies a shaman. Stuck in hell, the ‘deceased’ explores a virtual world to get to heaven. His virtual trip will depend entirely on the skill of the shaman who, unlike the deceased, stays behind in the real world. He must play an ancient Aztec instrument and his performance will determine the experience of the deceased.

Sergent James – Floréal Films & Digital Immersion

©Artfact fotolabz
It is time to go to bed for Leo. But when his mum turns off the light, the little boy thinks there is something hiding under his bed…

Hell Eluja – Oniroforge

Hell Eluja is an asymmetric multiplayer game in virtual reality. A first player plays the role of a hero immersed in a dark and unforgiving virtual world. Left to his own devices, he must survive and escape. The second player plays the role of the bad guy, the Master of the Dungeon.

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GIFF @PARIS VIRTUAL FILM FESTIVAL https://giff.ch/2018/en/giff-paris-virtual-film-festival/ Fri, 30 Jun 2017 15:53:20 +0000 https://giff.ch/2018/giff-paris-virtual-film-festival/ Programme partner of Forum des Images and, in particular, of the Paris Virtual Film Festival (30 June – 2 July 2017), Geneva International Film Festival Tous Ecrans will once again feature in the French capital.

In the context of the ‘Rencontres’ (‘Meetings’) organised by the Parisian festival, Festival Tous Ecrans’ Head of Digital and Professional Programmes Paola Gazzani Marinelli will host the round-table discussion ‘Why Virtual Reality?’, a dialogue between Burmese photographer Minzayar Oo and Iranian artist Ali Eslami.

Minzayar Oo (A New Reality, Along My River) and Ali Eslami (Death Tolls) have turned to virtual reality, the former to show the daily life of a population, the latter to raise awareness toworldwide conflicts.

Click here for the full programme.

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THE BEST OF SWISS VIRTUAL REALITY ON SHOW AT THE FESTIVAL DE CANNES https://giff.ch/2018/en/le-meilleur-de-la-realite-virtuelle-suisse-presente-a-cannes/ Wed, 17 May 2017 15:58:07 +0000 https://giff.ch/2018/le-meilleur-de-la-realite-virtuelle-suisse-presente-a-cannes/ In the context of its PLUGS Programme, the Geneva International Film Festival Tous Ecrans in association with the Swiss Digital Alliance, is delighted to present won of the most prominent and innovative Swiss virtual reality projects at the NEXT Pavilion of The Festival de Cannes, 17-21 May 2017.

With the support of the Swiss Arts Council Pro Helvetia, the third edition of Beyond Cinema : the Swiss Digital Showcase programme provides an opportunity for professionals attending the festival  to be immersed in the off beat adventures of an improvised magician, with Break a Leg (apelab), and to experience afterlife guided by an Aztec shaman with Ximoan (HEAD-Genève).

Both VR works together with the work of Kenzan Sudios, an award-winning VR Swiss company, are showcased on Saturday 20 May, from noon to 1pm, at the conference room of the NEXT Pavilion.

For the second time, and thanks to the support of Engagement Migros, a Match-Making session complements the Beyond Cinema programme to help Swiss creators present at Cannes to meet with potential investors.

The programme in short
Beyond Cinema: the Swiss Digital Showcase at the NEXT Pavilion

Exhibition, from 17 May to 21 May / from 9am to 6pm
Showcase Saturday 20 May / from 12pm to 1pm
Match-Making, from 19 May to 21 May (by appointment*)

*Break a Leg, Ximoan and Kenzan Studios – To set up a meeting contact Marie Mayoly: mm@tous-ecrans.com

For more information, please contact: Paola Gazzani Marinelli, Head of Digital and Professional Programmes of the Festival, paola.gazzani@tous-ecrans.com

Overview of the works

Break a Leg (apelab)

Break a Leg
 is an interactive installation and experience getting its inspiration from the magic shows of the 19th Century such as Houdini and Kellar. Built to entertain the crowds based on tricking the mind through misdirection and routine, the conjurers obeyed drastic rules to fool the mind of the audience. Break a Leg immerses you in the offbeat adventures of an improvised magician who will have to go through multiple stages of a conjurer’s performance without missing a beat. Break a Leg is a VR work of the Geneva start-up apelab.

Ximoan (HEAD-Genève)

©HEAD_MichelGiesbrecht

Ximoan is a collaborative experience based on the Aztec mythology. It invites an player to lie down and experience his travel in the afterlife, while the other embodies a shaman. Stuck in hell, the deceased explores a virtual world to get to heaven. His virtual trip will depend entirely on the skill of the shaman who, unlike the deceased, is in the real world. He must play an ancient Aztec instrument and depending on how well he follows the indicated rhythm, the expe- rience of the deceased will change.

Kenzan Studios
Kenzan Studios is an award-winning Geneva based company focused on creative content aimed at delighting consumers and helping businesses grow their customer base. Their expertise has earned Kenzan Studios awards at Los Angeles’ SIGGRAPH 2015, the VR Hollywood Summit in 2016 and a recent grant from Epic Games, for “outstanding work”. Kenzan delivers complete original virtual reality environments and characters, along with animations, visual effects and dedicated user interfaces.

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VIRTUAL TERRITORIES @ ZHDK https://giff.ch/2018/en/virtual-territories-zhdk/ Fri, 05 May 2017 16:02:57 +0000 https://giff.ch/2018/virtual-territories-zhdk/ Join the Geneva International Film Festival Tous Ecrans for a unique day-long event at the ZHdK dedicated to VR and immersive storytelling, featuring some of the most innovative VR works from Swiss and International creators – along with a panel discussing the past, present and future of financing Swiss digital creation.

 

Schedule

Exhibition : VR works and experiences // 10am – 9pm

Workshop on Virtual Reality and Immersive Film by Focal // 10am – 5pm

Panel : “Past, present and future of financing Swiss digital creation” // 6:30pm – 7:30pm

 

Speakers :

Doris Fiala, Member of the Swiss National Council FDP/PLR, Zurich

Sami Kanaan, Administrative Councillor of the City of Geneva, in charge of Culture and Sports

Gérard Ruey, Secretary-General, Cinéforom

Sven Waelti, Head of coproductions, SRG SSR

Daniel Wasser, Secretary-General, Zürcher Filmstiftung

Happy hour and party starting at 7:30pm

This exhibition and panel are organised by the Geneva International Film Festival Tous Ecrans, together with its partners Pro Helvetia, ZHdK Cast and Audio-Visual Media, Swiss Digital Alliance, Swiss Fiction Movement, Zurich für den Film.

Exhibition programme

A 360° look at the Swiss music prize

Jonathan Droz, Federal Office of culture, Switzerland, 2017, 5min

An 360° virtual-reality film has been produced, showcasing the Swiss Music Prize in all its musical diversity. Join 11 winners from the last three years on a virtual journey through this prestigious award.

Angst360

Eloy Martinez, ZHdK, Switzerland, 2017

ANGST360 is an immersive experience about fear. The visitor dives into the topic through different transmedial chapters. Text and video present facts and protagonists who discuss their fears. The highlight of the experience are the 360° videos, through which the visitor’s senses are directly confronted with fear.

A proximal visit

Nicolas Büschi, Switzerland / Hong-Kong, 2017

During our visit to Hong Kong in July 2016, a collaboration with Melissa Cate Christ, Polytechnic University of Hong Kong and Nicolas Büchi of the Cast / Audiovisual Media program at ZHdK emerged. As a first proof of concept, several 360° videos were produced on different stairs in Hong Kong. As Melissa has interesting and specialised input to contribute to each stair video, a collaboration and VR extension to the exhibition is envisioned, and outlined below.

Allumette

Penrose, United States,  2016, 15 min, o.v. en

Allumette tells the story of a young orphan girl who lives in a fantastical city in then clouds. After enduring tragedy, she grasps at hope for her future. Loosely inspired by “The Little Match Girl” by Hans Christian Andersen, Allumette is an account of the love a mother and daughter have for one another, and the sacrifices they make for the greater good.

Ashes to Ashes

Ingejan Ligthart Schenk, Jamille van Wijngaarden, Steye Hallema, Netherlands, 2017, 11 min, o.v. en

Ashes to Ashes is a surreal, tragicomedy in virtual reality about how a dysfunctional family handles the dying wish of their grandfather. Seen through the ‘eyes’ of the deceased –the urn containing the ashes– this short VR film gives a unique point of view on a bizarre set of family relationships nthat are ready to blow up. We witness how each family member drops theirn pretences to reveal the full extent of their dishonesty. Ultimately, Ashes to Ashes is about choosing your own reality, your imagination, your world.

DMZ: Memories of a No Man’s Land

Hayoun Kwon, France, 2015, 11 min, o.v. en

DMZ: Memories of a No Man’s Land takes the viewer to a place where they are forbidden to go: The Korean Demilitarized Zone, a strip of land about 248 km long and 4 km wide thatn separates North and South Korea. In this revealing VR documentary you will discover the zone through the memory of a former soldier.

 

Dernière Mission Avant Départ

Julien Bittner, France, 2016, 7 min, o.v. fr

Dernière Mission Avant Départ is a VR spin-off of award-winning TV series Le Bureau des Légendes. Featuring Mathieu Kassovitz, the 360 film has been shot from a first-person POV and puts the user in the shoes of an aspiring counter-terrorism agent about to go on a final test mission. Through his eyes, you will be hitting the streets of Paris, escaping surveillance and placing a bug in a room of a Parisian palace.

 

Drawing Room

Jan Rothuizen, Sara Kolster, Juul Spee, Harm van de Ven, Netherlands, 2015, 7 min, o.v. en

Artist and illustrator Jan Rothuizen is invited by a big Dutch department store. He is offered a room at the top of the building, overlooking the city. From this real-life situation, Rothuizen creates a unique autobiographical VR experience.

 

Easter Rising: Voice of a Rebel

Oscar Raby,  Australia, 2016, 13 min, o.v. en

Willien McNeive was 19 in 1916, when he took part in the Easter Rising, a bloody event in Irish history of which he left an oral testimony. Immerse yourselves in the rebel’s memories thanks to this fascinatingly beautiful piece of work.


EWA, Out Of Body

Johan Knattrup Jensen, Mads Damsbo, Denmark, 2016, 8 min, o.v. en

Reliven a traumatic event in the life of Ewa, a teenager bullied by her mother. First through her own eyes, then out of her body. After the fascinating Doghouse, Makropol returns with a project that demonstrates the whole narrative potential of VR. Striking.

 

Firebird – La Péri 

Balthazar Auxietre, France, 2016, 15 min, o.v. en

Pioneer of French VR, Balthazar Auxietre immerses us in a work where music, dance and cinema converge to shape a new entertainment experience, both nethereal and sensual. Enter the magic world of La Péri.

 

Gotthard 360 

Dominik  Born, Hanna  Wick, Matthias  Taugwalder, Sylke  Gruhnwald, Switzerland, 2016, 8 min, o.v. en

Then Gotthard is a 57-kilometer long train tunnel of cables and concrete that dives deep into the mountain. A mesmerising and addictive experience, this VR film by Swiss-German TV immerses us in a 360° perspective on this passage through the Alps.

 

I, Philip

Pierre Zandrowicz, France, 2016, 14 min, o.v. en

Twenty-threen years after Philip K. Dick’s death in 2005, David Hanson unveils his first humanoid android. Experience the memories of what might have been the writer’s final love story. ARTE makes its grand entrance into VR production.

 

Longing for Wilderness 

Marc  Zimmermann, Germany, 2016, 3 min, no dialogue

An fast-paced journey from the dirty pavements of a noisy city to idyllic natural landscapes before cooling off. Express meditation about life and death, which incidentally is also a counter-cultural green VR project.

 

Notes on Blindness : Into Darkness

Arnaud Colinart, Amaury La Burthe, Peter Middleton, James Spinney, France/Great Britain, 2016, 20-25 min, o.v. en

Notes on Blindness – Into Darkness is an interactive virtual reality project based on the audio diaries of writer and academic John Hull, who- after decades of steady deterioration – became totally blind in 1983. It offers a sensory and psychological journey into “a world beyond sight”.

 

SENS VR

Charles Ayats, Armand  Lemarchand, Marc-Antoine Mathieu, France, 2016, 30 min, no dialogue

SENS VRn is a poetic journey into the world of graphic novel author Marc-Antoinen Mathieu. A combination of video game and classic comic book, animation nfilm and waking dream, his work combines genres and stands at the ncrossroads of the past and the future.

 

Sequenced 

apelab, Swizterland, 2014-2015, 10 min, o.v. en

Inn a world where there is only one city left on Earth, recons are sent outn to find lost populations. Sam, one such recon, meets Raven, a 13 nyear-old orphan who’s grown up in nature and whose DNA predestins her ton become humanity’s Guardian. Their journey together will reveal many nsecrets about Raven’s origins as she discovers the true colors of nEarth’s safest place.Sequenced is the first animated interactive nseries on 360° for virtual reality headsets. The story adapts in real ntime to the user’s focus: the characters and environment react to the nuser’s presence in each scene.

 

Sonar

Philipp Maas, Dominik Stockhausen, Alexander Maas, Germany, 2016, 6 min, no dialogue

An drone discovers an unknown asteroid. On its journey over the rocky nsurface it receives a strange signal. To locate its source the drone nventures deep into an ancient labyrinth. A place that holds a secret neven darker than space itself.

 

The Invisible Man

Hugo Keijzer, Netherlands, 2016, 10 min, o.v. en

Nickn and Kid have half a million euros in heroine stashed in an upstate nbarn. But they also have a debt to pay – to Frank. When Frank suddenly nshows up at their’ hideout, they have no choice but to oblige in a nsadistic game of Russian Roulette. Each click of the chamber reveals a nlittle bit more about each character in the room.

 

The Roop – Not Too Late

The Roop, Wide Wings, Lithuania, 2015, 5 min, o.v. en

Whatn would happen if virtual reality and character animation were combined? nIn this dreamy 360° music video, set in wilderness of Lithuanian coast, nthe viewer goes back to the childhood. A hide and seek, whistling a nsong, absolute freedom – all the memories become vivid again and nenriched by sea creatures. To be a child is not too late.

Transition

Joost Jordens, Mike von Rotz, Netherlands, 2016, 8 min, no dialogue

Whenn two students from the Utrecht School of the Arts meet ambient musiciansn Kettel & Secede, the result is a meditative journey into a world nthat evokes the metaphysical inclinations of Jodorowsky and Moebius. nMesmerising.

 

VR Noir : A Day Before the Night

Nathan Anderson, Martin Taylor, Mike Jones, Australia, 2016, 10 minutes, o.v. en

VR Noir: A Day Before The Nightn is an interactive crime thriller. Audiences are invited to play the nrole of detective Veronica Coltrane, a burnt out private detective with nmounting debts and a dark past. Throughout the investigation, audiences nare caught up in a high stakes drama, compelled to engage with local ncharacters and virtual environments, forced to make difficult choices, nsolve puzzles and use their powers of observation to propel the nstoryline forward.

 

Watchout!

apelab, Switzerland, 2016, 1 min, o.v. en

Thisn clever virtual reality game designed by apelab’s talents is a spin-off nof Cannes sensation and Swiss nominee for the Oscars, My Life as a Zucchini. The aim? To stop the film’s characters from destroying the set!

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GIFF @CINEGLOBE 2017 http://cineglobe.ch/2017/ Tue, 28 Mar 2017 16:05:19 +0000 https://giff.ch/2018/giff-cineglobe-2017/ THE SWISS DIGITAL CREATION @SXSW https://giff.ch/2018/en/la-creation-digitale-suisse-deferle-sur-le-sxsw/ Mon, 13 Mar 2017 17:08:36 +0000 https://giff.ch/2018/la-creation-digitale-suisse-deferle-sur-le-sxsw/ There is but a short step from the Swiss mountains to the Texan plains! Indeed, in the context of its PLUGS Programme, Geneva International Film Festival Tous Ecrans will connect with South by Southwest this month. The Festival, a regular visitor of the US event, looks forward to working to promote Swiss creation in Austin for the first time. An opportunity to celebrate Swiss creators and to showcase Switzerland’s intelligence and know-how in terms of virtual reality, augmented reality and digital creation.

“Switzerland or Texas? It depends how you look at it. Let’s bring together the best of both.” In association with the Greater Zurich Area, swissnex San Francisco & Boston, Pro Helvetia, DART17, Engagement Migros, ETH, EPFL, the University of nZurich, Digital Festival Zurich, Vitra, Valora and Freitag, Geneva International Film Festival Tous Ecrans will host an exceptional evening at SXSW this year.

Geneva studio Transmii will invite guests to frolic in the Swiss meadows at the edge of the Texan plains, thanks to an augmented reality project designed specifically for the occasion. Twon DJ sets by American DJ Josette Melchor and Swiss DJ Oliver van der Miescher will enable the audience to dance between two worlds, in an atmosphere of Texan barbecue and Swiss raclette!


SWISS COWBOYS AND GIRLS GARDEN PARTY

Mon. 13 March, from 6 pm
Cenote Bar, 1010 E Cesar Chavez,
Entry by invitation only (register here).

The programme also includes a series of round-table discussions, chaired by Swissnex under the label #SXSWISS, and an exhibition.

#PLUGSPROGRAMME #FTE

Festival Tous Ecrans’ digital programmes are supported by the Yves and Inez Oltramare Foundation.

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